- Signs and meaning in the cinema, by Peter Wollen
- Cinema's baroque flesh, film, phenomenology and the art of entanglement, Saige Walton
- How the essay film thinks, Laura Rascaroli
- On the history of film style, David Bordwell
- Art in motion, animation aesthetics, Maureen Furniss
- Signs and meaning in the cinema, Peter Wollen ; with a foreword by D. N. Rodowick
- The cinematic sublime, negative pleasures, structuring absences, edited by Nathan Carroll
- The orientation of future cinema, technology, aesthetics, spectacle, Bruce Isaacs
- World cinema and the visual arts, edited by David Gallagher
- The audio-visuality of transcendental style in film, Adam Scovell
- Personal views, explorations in film, Robin Wood
- Poetics of cinema, Raúl Ruiz ; translated by Brian Holmes
- Film sound, theory and practice, edited by Elisabeth Weis and John Belton
- The shape of spectatorship, art, science, and early cinema in Germany, Scott Curtis
- Turbulence and flow in film, the rhythmic design, Yvette Bíro ; translated from the Hungarian by Paul Salamon
- The cinema of poetry, P. Adams Sitney
- Memento, edited by Andrew Kania
- Cinema beyond film, media epistemology in the modern era, edited by Francois Albera and Maria Tortajada
- Aesthetics and film, Katherine Thomson-Jones
- Theory of film practice, Noël Burch ; translated [from the French] by Helen R. Lane, introduction by Annette Michelson
- The filmmaker's eye, learning (and breaking) the rules of cinematic composition, Gustavo Mercado
- Global art cinema, new theories and histories, edited by Rosalind Galt, Karl Schoonover
- Pretty, film and the decorative image, Rosalind Galt
- The voice in cinema, Michel Chion ; edited and translated by Claudia Gorbman
- World cinema and the visual arts, edited by David Gallagher
- The way Hollywood tells it, story and style in modern movies, David Bordwell
- Ozu and the poetics of cinema, David Bordwell
- Film worlds, a philosophical aesthetics of cinema, Daniel Yacavone
- Between stillness and motion, film, photography, algorithms, edited by Eivind Rssaak
- Cinematicity in media history, edited by Jeffrey Geiger and Karen Littau
- Close up 02, Movies and tone/Douglas Pye ; Reading Rohmer/Jacob Leigh ; Voices in film/Susan Smith
- Nonindifferent nature, Sergei Eisenstein ; translated by Herbert Marshall
- The geopolitical aesthetic, cinema and space in the world system, Fredric Jameson
- Film art, an introduction, David Bordwell, Kristin Thompson, Jeff Smith
- A philosophy of cinematic art, Berys Gaut
- The long take, art cinema and the wondrous, Lutz Koepnick
- Words on screen, Michel Chion ; edited and translated by Claudia Gorbman
- Disclosure of the everyday, undramatic achievement in narrative film, Andrew Klevan
- The place of breath in cinema, Davina Quinlivan
- Signs and meaning in the cinema, Peter Wollen
- Critical cinema, beyond the theory of practice, edited by Clive Myer ; with a foreword by Bill Nichols
- Film art, an introduction, David Bordwell, Kristin Thompson
- Filmosophy, Daniel Frampton
- Shimmering images, trans cinema, embodiment, and the aesthetics of change, Eliza Steinbock
- Closely watched films, an introduction to the art of narrative film technique, Marilyn Fabe
- Directing, film techniques and aesthetics, Michael Rabiger, Mick Hurbis-Cherrier ; illustrated by Gustavo Mercado
- Film as art, Rudolf Arnheim
- Les écarts du cinéma, Jacques Rancière,
- Deleuze, cinema and national identity, narrative time in national contexts, David Martin-Jones
- Film, a sound art, Michel Chion ; translated by Claudia Gorbman