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- Focus of4
- Handmade electronic music, the art of hardware hacking, Nicolas Collins ; illustrated by Simon Lonergan
- One chord wonders, power and meaning in punk rock, Dave Laing
- Oye como va!, hybridity and identity in Latino popular music, Deborah Pacini Hernandez
- A Chaconne anthology
- Luciano Berio, two interviews with Rossana Dalmonte and Bálint András Varga ; translated and edited by David Osmond-Smith
- Jazz cosmopolitanism in Accra, a memoir of five musical years in Ghana, by Steven Feld
- Marsalis on music, Wynton Marsalis
- A practical guide to teaching music in the secondary school, edited by Julie Evans, Chris Philpott
- Violonchelo español, [performed by] i Musici de Montréal ; Yuli Turovsky [cello and conductor]
- Records ruin the landscape, John Cage, the sixties, and sound recording, David Grubbs
- Icons of hip hop, an encyclopedia of the movement, music, and culture, edited by Mickey Hess
- Babbling corpse, vaporwave and the commodification of ghosts, Grafton Tanner
- The discourse of musicology, Giles Hooper
- Silence, lectures and writings, by John Cage
- Repeating ourselves, American minimal music as cultural practice, Robert Fink
- Everyday music listening, absorption, dissociation and trancing, Ruth Herbert
- African theatre for development, art for self-determination, edited by Kamal Salhi
- A Schnittke reader, Alfred Schnittke ; edited by Alexander Ivashkin ; translated by John Goodliffe ; with a foreword by Mstislav Rostropovich
- The sound handbook, Tim Crook
- Rock and Popular Music, Politics, Policies, Institutions, edited by Tony Bennett, Simon Frith, Larry Grossberg, John Shepherd, Graeme Turner
- The politics of interweaving performance cultures, beyond postcolonialism, edited by Erika Fischer-Lichte, Torsten Jost and Saskya Iris Jain
- Frankenstein!! ;, Perpetuum mobile ; Charivari ; Dancing in the Dark, HK Gruber [and Johann Strauss]
- Women and popular music, sexuality, identity and subjectivity, Sheila Whiteley
- Explaining music, essays and explorations, by Leonard B. Meyer
- The popular music and entertainment culture of Barbados, pathways to digital culture, Curwen Best
- Music, sound and space, transformations of public and private experience, edited by Georgina Born
- Music and image in concert, using images in the instrumental music concert, Meghan Stevens
- Off key, when film and music won't work together, Kay Dickinson
- How musicals work, and how to write your own, Julian Woolford
- Immanence and immersion, on the acoustic condition in contemporary art, Will Schrimshaw
- Machine musicianship, Robert Rowe
- Music therapy and neurological rehabilitation, performing health, edited by David Aldridge
- Paris blues, African American music and French popular culture, 1920-1960, Andy Fry
- The Chandos sound experience
- Music and conflict transformation, harmonies and dissonances in geopolitics, edited by Olivier Urbain
- A perceptual approach to audio-visual instrument design, composition and performance, Adriana de Almeida Portela Viana de Sá
- Punk sociology, David Beer
- Hip hop Africa, new African music in a globalizing world, edited by Eric Charry
- Banding Together, How Communities Create Genres in Popular Music, Jennifer C. Lena
- Britpop and the English music tradition, edited by Andy Bennett , Jon Stratton
- Beyond subculture, pop, youth and identity in a postcolonial world, Rupa Huq
- Big ears, listening for gender in jazz studies, edited by Nichole T. Rustin and Sherrie Tucker
- Segregating sound, inventing folk and pop music in the age of Jim Crow, Karl Hagstrom Miller
- Buena Vista in the club, rap, reggaeton, and revolution in Havana, Geoffrey Baker
- World of music, Nicola Barber and Mary Mure ; illustrated by Carl Melegari
- Izbrannye stat'i i materialy, A.S. Rabinovich ; [pod obshcheĭ red. M.S. Pekelisa; redator-sostavitel' Elizaveta Dattel']
- Issues in music teaching, edited by Chris Philpott and Charles Plummeridge
- Music in science fiction television, tuned to the future, edited by K.J. Donnelly and Philip Hayward
- The science & psychology of music performance, creative strategies for teaching and learning, edited by Richard Parncutt & Gary E. McPherson
- Sound of Africa!, making music Zulu in a South African studio, Louise Meintjes
- Indigenous peoples -- Music
- African Americans -- Europe -- Music -- History and criticism
- Beardsley, Aubrey, 1872-1898 -- Knowledge -- Music
- Black people -- South America -- Music -- Congresses
- Black people -- Great Britain -- Music -- History and criticism
- Judaism -- Music -- Sound recordings
- Judith, (Biblical figure) -- Music
- Black people -- Peru -- Music -- History and criticism
- African Americans -- Tennessee -- Memphis -- Music -- History and criticism
- Jews -- Music -- Ethiopia -- Sound recordings
- Azerbaijanis -- Music
- Dalits -- India -- Tamil Nadu -- Music -- History and criticism
- Kaluli (Papua New Guinean people) -- Music -- History and criticism
- Romanies -- Turkey -- Music -- History and criticism
- Kurds -- Music -- Sound recordings
- African Americans -- Music -- Influence
- Asians -- Great Britain -- Music -- History and criticism
- Ndebele (African people) -- South Africa -- Music -- Sound recordings
- Afghans -- England -- London -- Music -- History and criticism
- African Americans -- Music -- History and criticism
- Bengal (India) -- Music
- Melanesians -- Solomon Islands -- Music -- Sound recordings
- Toraja (Indonesian people) -- Indonesia -- Sulawesi Selatan -- Music -- Sound recordings
- Baudelaire, Charles, 1821-1867 -- Knowledge -- Music
- African Americans -- Music -- Social aspects
- Taiwan aborigines -- Music -- History and criticism
- Jews -- Music -- History and criticism
- Dickinson, Emily, 1830-1886 -- Knowledge -- Music
- Berbers -- Music -- Morocco -- Sound recordings
- Hungarians -- Romania -- Music -- Sound recordings
- Black people -- Caribbean Area -- Music -- Congresses
- Taiwan aborigines -- Music
- Ewe (African people) -- Music -- Religious aspects
- Romanies -- Hungary -- Music -- Sound recordings
- Black people -- Cuba -- Music -- History and criticism
- Blackfoot Indians -- Music -- Sound recordings
- Navajo Indians -- Music
- Suya Indians -- Music -- History and criticism
- Guere -- Music -- Sound recordings
- Incas -- Music -- Sound recordings
- Romanies -- Music -- 18th century
- Tumbuka (African people) -- Music
- Indians of North America -- Music -- Sound recordings
- Romanies -- Music
- Mevleviyeh -- Turkey -- Istanbul -- Music -- Sound recordings
- Brazilians -- Brazil -- Minas Gerais -- Music
- African Americans -- Haiti -- Music
- Indians of North America -- Music -- History and criticism
- Inuit -- Music
- African Americans -- Michigan -- Detroit -- Music -- History and criticism