- Actor training, David Zinder
- Actor training, edited by Alison Hodge
- Towards acting through games, Kenneth Rea
- The articulate body, the physical training of the actor, Anne Dennis
- In the spirit of Laban, Geraldine Stevenson with Dick McCaw
- Stanislavsky on the art of the stage, translated with an introductory essay on Stanislavsky's system by David Magarshack
- A screen acting workshop, Mel Churcher ; foreword by Jeremy Irons
- Jacques Lecoq and the British theatre, edited by Franc Chamberlain and Ralph Yarrow
- The moving body, teaching creative theatre, Jacques Lecoq with Jean Gabriel Carasso and Jean-Claude Lallias ; translated by David Bradby ; foreword by Simon McBurney
- The Body speaks, exercises of the Theater Laboratory of Wroclaw, demonstrated by Ryszard Cieslak and students
- Beyond Stanislavsky, the psycho-physical approach to actor training, Bella Martin
- Brith Gof, working practices, Mike Pearson
- OCR drama for GCSE, David Cross and Christopher Reynolds
- Ian McKellen, acting Shakespeare, directed by Kirk Browning
- Edexcel drama for GCSE, Jos Leeder
- Actor training, edited by Alison Hodge
- Training for the theatre, premises & promises, Michel Saint-Denis ; edited by Suria Saint-Denis
- Le corps poétique, un enseignement de la création théâtrale, Jacques Lecoq ; en collaboration avec Jean-Gabriel Carasso et Jean-Claude Lallias
- Training at the "Teatr Laboratorium" in Wroclaw, plastic and physical training, directed by Torgeir Wethal
- Stages of reckoning, antiracist and decolonial actor training, [edited by] Amy Mihyang Ginther
- Theatre jazz, Clive Barker with Dick McCaw
- The quick and the dead, the development of core training and performance [DVD-ROM], Alison Hodge
- Acting, John Harrop
- Shadow boxing, [DVD-ROM], Enrique Pardo
- London (Cockney), an accent training resource for actors, Gwyneth Strong and Penny Dyer
- An attitude for acting, how to survive (and thrive) as an actor, Andrew Tidmarsh and Tara Swart
- The moving body, teaching creative theatre, Jacques Lecoq ; in collaboration with Jean-Gabriel Carasso and Jean-Claude Lallias ; translated from Le corps poétique by David Bradby ; [foreword by Simon McBurney]
- Drama and theatre studies at AS/A level, Jonothan Neelands and Warwick Dobson
- Performer training and technology, preparing our selves, Maria Kapsali
- Devising work, the great deviser
- The great acting teachers and their methods, by Richard Brestoff ; illustrations by Deborah Stevenson
- Suzuki training, an introductory file (1), Paul Allain ; directed by Peter Hulton ; Arts Documentation Unit
- Theatre games, a new approach to drama training, Clive Barker
- Drama and theatre studies, for use with all drama & theatre studies A & AS specifications, Sally Mackey, Simon Cooper
- Master classes in the Michael Chekhov technique, produced by Joanna Merlin for MICHA (The Michael Chekhov Association)
- Twentieth century actor training, edited by Alison Hodge
- The body speaks, exercises of the Theater Laboratory of Wroclaw, demonstrated by Ryszard Cieslak and students; produced & directed by John Musilli
- Playing Shakespeare, written & presented by John Barton; directed by John Carlaw; produced by Andrew Snell
- The actor training reader, edited by Mark Evans
- Standing in space, the six viewpoints theory & practice, Mary Overlie
- The improv book, Alison Goldie
- Working with Brecht's gestus, Patrice Pavis
- GCSE drama for Edexcel, Ken Taylor and Jos Leeder
- 100+ ideas for drama, Anna Scher and Charles Verrall
- Sanford Meisner, the exercise of repetition, Scott Williams
- Riffing, Scott Kelman
- The rhythm of space and sound of time, Michael Chekhov's acting technique in the 21st century, Cynthia Ashperger
- One square foot, an exploration into interdisciplinary performer training, Dorinda Hulton
- A dream of passion, the development of the method, Lee Strasberg ; edited by Evangeline Morphos
- The actor's co-ordination, Grzegorz Bral & Anna Zubrzycka