Bibliograph

Postcolonial Paris, fictions of intimacy in the city of light, Laila Amine

Type

Label

Postcolonial Paris, fictions of intimacy in the city of light, Laila Amine

Language

eng

Bibliography note

Includes bibliographical references and index

Illustrations

illustrations

Index

index present

Literary Form

non fiction

Main title

Postcolonial Paris

Nature of contents

bibliography

Responsibility statement

Laila Amine

Series statement

Africa and the diaspora: history, politics, culture

Sub title

fictions of intimacy in the city of light

Summary

In the global imagination, Paris is the city's glamorous center, ignoring the Muslim residents in its outskirts except in moments of spectacular crisis such as terrorist attacks or riots. But colonial immigrants and their French offspring have been a significant presence in the Parisian landscape since the 1940s. Expanding the narrow script of what and who is Paris, Laila Amine explores the novels, films, and street art of Maghrebis, Franco-Arabs, and African Americans in the City of Light, including fiction by Charef, Charibi, Guene, Sebbar, Baldwin, Smith, and Wright, and such films as La haine, Made in France, Vivre me tue, and Nuit d'Octobre. Spanning the decades from the post-World War II era to the present day, Amine demonstrates that the postcolonial other is both peripheral to and intimately entangled with all the ideals so famously evoked by the French capital--romance, modernity, equality, and liberty. In their work, postcolonial writers and artists have juxtaposed these ideals with colonial tropes of intimacy (the interracial couple, the harem, the Arab queer) to expose their hidden violence. Amine highlights the intrusion of race in everyday life in a nation where, officially, it does not exist

Table Of Contents

Introduction : the Paris kaleidoscope -- Colonial domesticity -- Romance and brotherhood -- The new harem -- Other queers -- Embodying the city -- Coda : everyday Islamophobia

Classification