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Theater of the avant-garde, 1890-1950, a critical anthology, edited by Bert Cardullo and Robert Knopf

Type
Label
Theater of the avant-garde, 1890-1950, a critical anthology, edited by Bert Cardullo and Robert Knopf
Language
eng
Bibliography note
Includes bibliographical references and index
Index
index present
Literary Form
non fiction
Main title
Theater of the avant-garde, 1890-1950
Nature of contents
bibliography
Responsibility statement
edited by Bert Cardullo and Robert Knopf
Sub title
a critical anthology
Table Of Contents
Franco-Russian symbolism : (Maeterlinck : Interior, Maeterlinck : the modern drama, Briusov : against naturalism in the theatre, Briusov: the wayfarer); Pataphysical theatre (Alfred Jarry : King Ubu, Alfred Jarry : theatre questions); intimate theatre/chamber drama (Strindberg : the ghost sonata, Strindberg : from zones of the spirit); correspondences (Kandinsky : the yellow sound, Kandinsky : on stage composition); Italian futurism (Boccioni : genius and culture, Cangiullo : detonation, Marinetti : feet ); German expressionism (Reinhard Sorge ; the beggar, Yvan Goll : two superdramas); Dada (Tzara : the gas heart, Dada manifesto); theatre of pure form (Witkiewicz : the cuttlefish; on a type of new play); French surrealism ( Vitrac : the mysteries of love; Andre Breton : first surrealist manifesto) theatre of cruelty ( Artaud: the spurt of blood; no more masterpieces); Russian oberiu (Vvedensky : Christmas at the Ivanovs'; the oberiu manifesto); American dada and surrealism (Gertrude Stein :Doctor Faustus lights the lights; plays); theatre of the absurd (Adamov : the invasion; Esslin : the theatre of the absurd)
Classification
Contributor
Subject

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