Incoming Resources
- Audience participation in theatre, aesthetics of the invitation, Gareth White
- Identity, performance and technology, practices of empowerment, embodiment and technicity, edited by Susan Broadhurst and Josephine Machon
- Balletomania, the story of an obsession, by Arnold L. Haskell
- The Routledge dance studies reader, edited by Alexandra Carter and Janet O'Shea
- The function of dance in human society, a seminar directed by Franziska Boas
- Theatre and aural attention, stretching ourselves, George Home-Cook
- The guerilla guide to performance art, Leslie Hill, Helen Paris
- The path of the actor, Michael Chekhov ; edited by Andrei Kirillov and Bella Merlin
- Feminist futures?, theatre, performance, theory, edited by Elaine Aston and Geraldine Harris
- Queer dramaturgies, international perspectives on where performance leads queer, edited by Alyson Campbell, Stephen Farrier
- The wise body, Conversations with experienced dancers, edited by Jacky Lansley and Fergus Early
- Sonic choreosophia, a cross-cultural investigation on sound and movement practices, Tommaso Perego
- Performing otherness, Java and Bali on international stages, 1905-1952, Matthew Isaac Cohen
- Politics and film, the political culture of television and movies, Daniel P. Franklin
- Anna Halprin, experience as dance, Janice Ross ; foreword by Richard Schechner
- Beyond words, movement observation and analysis, Carol-Lynne Moore, Kaoru Yamamoto
- Physical theatres, a critical introduction, Simon Murray and John Keefe
- A companion to art theory, edited by Paul Smith and Carolyn Wilde
- Dance workout for dummies
- Carla and Leo's world of dance, by Agatha Relota ; illustrations by Thierry Perez
- Body by Simone, the 8-week total-body-makeover plan, Simone De La Rue, with Lara McGlashan
- A dictionary of theatre anthropology, the secret art of the performer, [compiled by] Eugenio Barba, Nicola Savarese ; translated by Richard Fowler
- Only entertainment, Richard Dyer
- A companion to contemporary art since 1945, edited by Amelia Jones
- Beyond immersive theatre, aesthetics, politics and productive participation, Adam Alston
- Beyond words, movement observation and analysis, Carol-Lynne Moore, Kaoru Yamamoto
- Always more than one, individuation's dance, Erin Manning ; foreword by Brian Massumi
- Nine ways of seeing a body, Sandra Reeve
- Applying performance, live art, socially engaged theatre and affective practice, Nicola Shaughnessy
- Theatre of the real, Carol Martin
- Ukrainskiĭ kazachek (gopak), [novyĭ balʹnyĭ tanet͡s], tanet͡s artista Imperatorskikh teatrov uchiteli͡a tant͡sev D. K. Brykina ; muzyka artista Imperatorskikh teatrov A.A. T͡Sarman = Danse de cosaque de la l'Ukraine : nouvelle danse de salon
- Performing European memories, trauma, ethics, politics, Milija Gluhovic
- Dance Movement Therapy, Theory, Research and Practice, edited by Helen Payne
- Beyond dance, Laban's legacy of movement analysis, Eden Davies ; illustrations by Steve Hurst
- Art is not what you think it is, Donald Preziosi and Claire Farago
- Ways to wander, edited by Clare Qualmann & Claire Hind
- Museums after modernism, strategies of engagement, edited by Griselda Pollock and Joyce Zemans
- The meaning of movement, developmental and clinical perspectives of the Kestenberg Movement Profile, Janet Kestenberg Amighi ... [et al.]
- Staging black feminisms, identity, politics, performance, Lynette Goddard
- Dance moms
- Contemporary theatres in Europe, a critical companion, edited by Joe Kelleher and Nicholas Ridout
- Performing site-specific theatre, politics, place, practice, edited by Anna Birch and Joanne Tompkins
- Reframing immersive theatre, the politics and pragmatics of participatory performance, James Frieze, editor
- Six Characters in Search of an Author, Luigi Pirandello
- Making an entrance, theory and practice for disabled and non-disabled dancers, Adam Benjamin
- The Routledge dance studies reader, [edited by] Alexandra Carter
- Dance research collage, a variety of subjects embracing the abstract and the practical, edited by Patricia A. Rowe and Ernestine Stodelle
- 39 microlectures, in proximity of performance, Matthew Goulish
- Hijikata Tatsumi and Butoh, dancing in a pool of gray grits, Bruce Baird
- Performing processes, editor, Roberta Mock