Actions
Incoming Resources
- Communication and class struggle, an anthology in 2 volumes, edited by Armand Mattelart and Seth Siegelaub. 2, Liberation, socialism
- International image markets, in search of an alternative perspective, by Armand Mattelart, Xavier Delcourt and Michele Mattelart ; translated by David Buxton ; introduction by Nicholas Garnham
- How to read Donald Duck, imperialist ideology in the Disney comic, Ariel Dorfman, Armand Mattelart ; translation & updated introduction by David Kunzle, with appendix by John Shelton Lawrence
- How to read Donald Duck, imperialist ideology in the Disney comic, Ariel Dorfman and Armand Mattelart ; translated by David Kunzle
- International image markets, in search of an alternative perspective, by Armand Mattelart, Xavier Delcourt and Michele Mattelart ; translated by David Buxton ; introduction by Nicholas Garnham
- Transnationals & the Third World, the struggle for culture, Armand Mattelart ; translated by David Buxton
- Mapping world communication, war, progress, culture, Armand Mattelart ; translated by Susan Emanuel and James A. Cohen
- Rethinking media theory, signposts and new directions, Armand Mattelart + Michèle Mattelart ; translated by James A. Cohen and Marina Urquidi
- The information society, an introduction, Armand Mattelart ; translated by Susan G. Taponier and James A. Cohen
- The invention of communication, Armand Mattelart ; translated by Susan Emanuel
- Networking the world, 1794-2000, Armand Mattelart ; translated by Liz Carey-Libbrecht and James A. Cohen
- Télévision, enjeux sans frontières : industries culturelles et politique de la communication, Armand Mattelart, Jean-Marie Piemme
- Advertising international, the privatisation of public space, Armand Mattelart; translated by Michael Chanan
- Multinational corporations and the control of culture, the ideological apparatuses of inperialism, Armand Mattelart ; translated from the French by Michael Chanan
- Mass media, ideologies and the revolutionary movement, [by] Armand Mattelart ; translated by Malcolm Coad