Recorded music, performance, culture and technology, edited by Amanda Bayley
Type
Classification
1
Contributor
1
Subject
4
Label
Recorded music, performance, culture and technology, edited by Amanda Bayley
Language
eng
Bibliography note
Includes bibliographical references and index
Illustrations
illustrationsmusic
Index
index present
Literary form
non fiction
Main title
Recorded music
Nature of contents
bibliographydiscographies
Responsibility statement
edited by Amanda Bayley
Sub title
performance, culture and technology
Table of contents
The rise and rise of phonomusicology / Stephen Cottrell -- Illusion and aura in the classical audio recording / Peter Johnson -- Ethical and cultural issues in the digital era / Andrew Blake -- The changing functions of music recordings and listening practices / Adam Krims -- Producing performance / James Barrett -- Modi operandi in the production of 'world music' recordings / John Baily -- Recording and the Rattle phenomenon / David Patmore -- Jazz recordings and the capturing of performance / Peter Elsdon -- Jazz recordings as social texts / Catherine Tackley -- Recordings as research tools in ethnomusicology / Jonathan P.J. Stock -- Multiple takes : using recordings to document creative process / Amanda Bayley -- The phonographic voice : paralinguistic features and phonographic staging in popular music singing / Serge Lacasse -- The track / Allan Moore -- From sound to music, from recording to theory / John Dack -- Modes of appropriation : covers, remixes and mash-ups in contemporary popular music / Virgil Moorefield -- Painting the sonic canvas : electronic mediation as musical style / Albin Zak -- Epilogue : recording technology in the twenty-first century / Tony Gibbs
Incoming Resources
- Has instance1