Ashgate, Farnham, c2009
Date
c2009
Label
Ashgate, Farnham, c2009
Name
Ashgate
Place
Farnham
Provider agent
Provider place
Incoming Resources
- Gilbert and Sullivan, class and the Savoy tradition, 1875-1896, Regina B. Oost - (hbk.)
- New critical writings in political sociology, edited by Alan Scott, Kate Nash and Anna Marie Smith - (hbk. : v. 3)
- Exploring religion and the sacred in a media age, edited by Christopher Deacy and Elisabeth Arweck - (hbk.)
- Interfaces of performance, edited by Maria Chatzichristodoulou, Janis Jefferies, and Rachel Zerihan - (hbk.)
- Ars nova, French and Italian music in the fourteenth century, edited by John L. Nádas and Michael Scott Cuthbert - (hbk.)
- Harrison Birtwistle, the Mask of Orpheus, Jonathan Cross - (hbk.)
- The Portuguese in India and other studies, 1500-1700, A.R. Disney - (hbk.)
- Media freedom and contempt of court, edited by Eric Barendt - (hbk.)
- Post-queer politics, by David Ruffolo - (hbk.)
- Oral and written transmission in chant, edited by Thomas Forrest Kelly - (hbk.)
- Embellishing the liturgy, tropes and polyphony, edited by Alejandro Enrique Planchart - (hbk.)
- Improper modernism, Djuna Barnes's bewildering corpus, Daniela Caselli - (hbk.)
- Cultural capitals, revaluing the arts, remaking urban spaces, Louise C. Johnson - (e-book)
- Musical belongings, selected essays, Richard Middleton - (hbk.)
- New critical writings in political sociology, edited by Alan Scott, Kate Nash and Anna Marie Smith - (hbk. : v. 2)
- Representations of hair in Victorian literature and culture, Galia Ofek - (hbk.)
- Educating professionals, practice learning in health and social care, edited by Mark Doel and Steven M. Shardlow - (pbk.)
- Interfaces of performance, edited by Maria Chatzichristodoulou, Janis Jefferies, Rachel Zerihan - (e-book)
- The Ashgate research companion to experimental music, edited by James Saunders - (hbk.)
- Rosa Newmarch and Russian music in late nineteenth and early twentieth-century England, Philip Ross Bullock - (hbk.)
- Learning at the museum frontiers, identity, race and power, Viv Golding - (hbk.)
- Educating professionals, practice learning in health and social care, edited by Mark Doel and Steven M. Shardlow - (hbk.)
- The Shakespearean international yearbook, general editors, Graham Bradshaw and Tom Bishop ; special guest editor, Laurence Wright, 9 - (hbk.)
- The musical traditions of Northern Ireland and its diaspora, community and conflict, David Cooper - (hbk.)
- Instruments and their music in the Middle Ages, edited by Timothy J. McGee - (hbk.)
- New critical writings in political sociology, edited by Alan Scott, Kate Nash and Anna Marie Smith - (hbk. : v. 3)
- The Ashgate research companion to popular musicology, edited by Derek B. Scott - (e-book)
- Ars nova, French and Italian music in the fourteenth century, edited by John L. Nádas and Michael Scott Cuthbert - (hbk.)
- Chant and its origins, edited by Thomas Forrest Kelly - (hbk.)
- El Greco, the Cretan years, Nikolaos M. Panagiotakes ; translated by John C. Davis ; with a preface by Nicos Hadjinicolaou ; edited by Roderick Beaton - (hbk.)
- Beyond multiculturalism, views from anthropology, edited by Giuliana B. Prato - (hbk.)
- The Ashgate research companion to popular musicology, edited by Derek B. Scott - (hbk.)
- The classic social contractarians, critical perspectives from contemporary feminist philosophy and law, Janice Richardson - (hbk.)
- Polish migration to the UK in the 'new' European Union, after 2004, edited by Kathy Burrell - (e-book)
- The devil's children, from spirit possession to witchcraft : new allegations that affect children, edited by Jean La Fontaine - (hbk.)
- New critical writings in political sociology, edited by Alan Scott, Kate Nash and Anna Marie Smith - (hbk. : v. 1)
- Olympic cities, 2012 and the remaking of London, edited by Gavin Poynter and Iain MacRury - (hbk.)
- Protest music in France, production, identity and audiences, Barbara Lebrun - (hbk.)
- The Irishness of Irish music, John O'Flynn - (hbk.)
- The sounds and sights of performance in early music, essays in honour of Timothy J. Mcgee, edited by Maureen Epp and Brian E. Power - (hbk.)
- Rosa Newmarch and Russian music in late nineteenth and early twentieth-century England, Philip Ross Bullock - (hbk.)
- Disaster management in archives, libraries and museums, Graham Matthews, Yvonne Smith and Gemma Knowles - (hbk.)
- Modern methods for musicology, prospects, proposals, and realities, edited by Tim Crawford and Lorna Gibson - (hbk.)
- Ars antiqua, organum, conductus, motet, edited by Edward H. Roesner - (hbk.)
- Masculinity and western musical practice, edited by Ian Biddle and Kirsten Gibson - (hbk.)
- Poets and singers, on Latin and vernacular monophonic song, edited by Elizabeth Aubrey - (hbk.)
- Domestic institutional interiors in early modern Europe, edited by Sandra Cavallo and Silvia Evangelisti - (hbk.)
- Reading musical interpretation, case studies in solo piano performance, Julian Hellaby - (hbk.)
- Photography, anthropology and history, expanding the frame, edited by Christopher Morton and Elizabeth Edwards - (hbk.)
- Masculinity and western musical practice, edited by Ian Biddle and Kirsten Gibson - (hbk.)
- Publication of5
- The Ashgate research companion to queer theory, edited by by Noreen Giffney, Michael O'Rourke - (e-book)
- The devil's children, from spirit possession to witchcraft : new allegations that affect children, edited by Jean La Fontaine - (e-book)
- Modern methods for musicology, prospects, proposals, and realities, edited by Tim Crawford, Lorna Gibson - (e-book)
- Learning at the museum frontiers, identity, race and power, Viv Golding - (e-book)
- Somatechnics, queering the technologisation of bodies, edited by Nikki Sullivan and Samantha Murray - (e-book)