City Libraries, City of Gold Coast

Jazz cosmopolitanism in Accra, a memoir of five musical years in Ghana, by Steven Feld

Label
Jazz cosmopolitanism in Accra, a memoir of five musical years in Ghana, by Steven Feld
Language
eng
Bibliography note
Includes bibliographical references and index
Illustrations
illustrations
Index
index present
Literary Form
non fiction
Main title
Jazz cosmopolitanism in Accra
Medium
electronic resource
Responsibility statement
by Steven Feld
Sub title
a memoir of five musical years in Ghana
Summary
Distinguished musicologist Steven Feld created the style of anthropology of sound and music prominent on our list. In this work he looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, who have travelled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy., In this remarkable book, Steven Feld, pioneer of the anthropology of sound, listens to the vernacular cosmopolitanism of jazz players in Ghana. Some have traveled widely, played with American jazz greats, and blended the innovations of John Coltrane with local instruments and worldviews. Combining memoir, biography, ethnography, and history, Feld conveys a diasporic intimacy and dialogue that contests American nationalist and Afrocentric narratives of jazz history. His stories of Accra's jazz cosmopolitanism feature Ghanaba/Guy Warren (1923-2008), the eccentric drummer who befriended the likes of Charlie Parker, Max Roach, and Thelonious Monk in the United States in the 1950s, only to return, embittered, to Ghana, where he became the country's leading experimentalist. Others whose stories figure prominently are Nii Noi Nortey, who fuses the legacies of the black avant-gardes of the 1960s and 1970s with pan-African philosophy in sculptural shrines to Coltrane and musical improvisations inspired by his work; the percussionist Nii Otoo Annan, a traditional master inspired by Coltrane's drummers Elvin Jones and Rashied Ali; and a union of Accra truck and minibus drivers whose squeeze-bulb honk-horn music for drivers' funerals recalls the jazz funerals of New Orleans. Feld describes these artists' cosmopolitan outlook as an "acoustemology, " a way of knowing the world through sound
Target audience
specialized
Classification

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