Studies in the printing, publishing, and performance of music in the 16th century, Stanley Boorman
Type
Label
Studies in the printing, publishing, and performance of music in the 16th century, Stanley Boorman
Language
eng
Index
no index present
Literary Form
non fiction
Main title
Studies in the printing, publishing, and performance of music in the 16th century
Responsibility statement
Stanley Boorman
Series statement
Collected studies, CS815
Table Of Contents
The "first" edition of the Odhecaton A -- Petrucci's type-setters and the process of stemmatics -- A case of work and turn half-sheet imposition in the early 16th century -- Printed music books of the Italian renaissance from the point of view of manuscript study -- The Salzburg liturgy and single-impression music printing -- Early music printing : working for a specialized market -- Some non-conflicting attributions, and some newly anonymous compositions, from the early 16th century -- The music publisher's view of his public's abilities and taste : Venice and Antwerp -- Notational spelling and scribal habit -- False relations and the cadence -- Two aspects of performance practice in the Sistine Chapel of the early sixteenth century
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