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The militant muse, love, war and the women of surrealism, Whitney Chadwick

Label
The militant muse, love, war and the women of surrealism, Whitney Chadwick
Language
eng
Bibliography note
Includes bibliographical references and index
resource.biographical
contains biographical information
Illustrations
portraitsillustrations
Index
index present
Literary Form
non fiction
Main title
The militant muse
Nature of contents
bibliography
Responsibility statement
Whitney Chadwick
Sub title
love, war and the women of surrealism
Summary
The militant muse' documents what it meant to be young, ambitious, and female in the context of an avant-garde movement defined by celebrated men whose backgrounds were often quite different from those of their younger lovers and companions. Focusing on the 1930s, 1940s, and 1950s, Whitney Chadwick charts five female friendships among the Surrealists to show how Surrealism, female friendship, and the experiences of war, loss, and trauma shaped individual women's transitions from someone else's muse to mature artists in their own right. Her vivid account includes the fascinating story of Claude Cahun and Suzanne Malherbe in occupied Jersey, as well as the experiences of Lee Miller and Valentine Penrose at the front line. Chadwick draws on personal correspondence between women, including the extraordinary letters between Leonora Carrington and Leonor Fini during the months following the arrest and imprisonment of Carrington's lover Max Ernst and the letter Frida Kahlo shared with her friend and lover Jacqueline Lamba years after it was written in the late 1930s. This history brings a new perspective to the political context of Surrealism as well as fresh insights on the vital importance of female friendship to its progress
Classification
Content

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