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The Hollywood Jim Crow, the racial politics of the movie industry, Maryann Erigha

Label
The Hollywood Jim Crow, the racial politics of the movie industry, Maryann Erigha
Language
eng
Bibliography note
Includes bibliographical references and index
Index
index present
Literary Form
non fiction
Main title
The Hollywood Jim Crow
Nature of contents
bibliography
Responsibility statement
Maryann Erigha
Sub title
the racial politics of the movie industry
Summary
"From the #OscarSoWhite phenomenon to the backlash against whitewashing, the racism experienced by African Americans and other racial minorities in Hollywood, both in front of and behind the camera, has garnered national attention. In The Hollywood Jim Crow, Maryann Erigha brings these persistent inequalities into focus, analyzing how everyday practices in Hollywood thematically mirror Jim Crow laws through the marginalization, segregation, and stigmatization of Black film directors. Examining over 1600 contemporary films and their directors, film production organizations, and box office figures, she illustrates with striking detail the tenacious racial hierarchies still at work in Hollywood. The Hollywood Jim Crow deftly exposes, among many other things, the key elements anchoring these hierarchies, including the stigmatization of Black film directors as 'unbankable'; the ghettoization of Black directors for Black films only; and the perception of Blackness among Hollywood decision-makers. Shifting focus from questions of racial representation to those of racial hierarchy, Erigha investigates career trajectories, qualitative opportunities, access to resources, and structures of oppression to provide a complete understanding of the core problem, and its potential solutions. The Hollywood Jim Crow delivers a searing indictment of Hollywood’s unequal practices, drawing connections between the film industry and other sites of racial oppression in society." -- back cover
Table Of Contents
Introduction -- Hollywood's racial logic -- Labeling Black unbankable -- Directing on the margins -- Making genre ghettos -- Manufacturing racial stigma -- Remaking cinema -- Conclusion
Classification
Content

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