City Libraries, City of Gold Coast

Anne Sexton and middle generation poetry, the geography of grief, Philip McGowan

Classification
1
Label
Anne Sexton and middle generation poetry, the geography of grief, Philip McGowan
Language
eng
Bibliography note
Includes bibliographical references (p. [135]-140) and index
Index
index present
Literary form
non fiction
Main title
Anne Sexton and middle generation poetry
Medium
electronic resource
Nature of contents
bibliography
Responsibility statement
Philip McGowan
Series statement
Contributions to the study of American literature,, no. 16, 1092-6356
Sub title
the geography of grief
Summary
Evaluating the poetry of Anne Sexton 30 years after her death, this text examines the possibilities of language to convey an individual's response to their own existence, the project of defining love and the purpose of the aesthetic in our understanding of these entities., Focusing on Sexton's poems rather than on the life she led, this fresh critique of her work restarts the debate about her poetry 30 years after her death. McGowan argues that Sexton's poetry collections develop a three-way investigation into the possibilities of language to convey an individual's response to her own existence, to the project of defining love (by physical, human, and divine standards) and to the purpose of the aesthetic in our understanding of these entities. He charts the chronological development of Sexton's poetic aesthetic and provides a new interpretation of this major poet's work. Informed by the poetic and philosophical works of a number of other writers, McGowan's readings of Sexton's work are detailed and thorough. The work opens with a reconsideration of an early Sexton poem and moves through her other works in a carefully crafted fashion. He argues against the confessional interpretations of earlier readings and resituates the debate into Sexton's poetic territories, concentrating on her words, not her world. Concluding that Sexton's work challenges aesthetic and philosophical issues concerning our existence in this world and how language attempts to respond to such questions, McGowan offers a new approach and a fresh outlook on the poetry Sexton has left us

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