Incoming Resources
- Constructing the holistic actor, Fitzmaurice Voicework, Michael Keith Morgan
- The actor's ways and means, Michael Redgrave ; with a new introduction by Vanessa Redgrave
- Devised and collaborative theatre, a practical guide, edited by Tina Bicat and Chris Baldwin ; foreword by Clive Barker
- From acting to performance, essays in modernism and postmodernism, Philip Auslander
- From word to play, a handbook for directors, Cicely Berry ; with a foreword by Michael Boyd
- The Stanislavsky heritage
- Learning disability and contemporary theatre, devised theatre, physical theatre, radical theatre, Jon Palmer and Richard Hayhow
- Words on mime, by Etienne Decroux ; translated by Mark Piper
- The Sanford Meisner approach, workbook two, emotional freedom, Larry Silverberg
- Physical theatres, a critical introduction, Simon Murray and John Keefe
- Quiet on set, Series 1
- Acting characters, 20 essential steps from rehearsal to performance, Paul Elsam
- Fearlessly different, an autistic actor's journey to Broadway's biggest stage, Mickey Rowe
- Playing under the piano, from Downton to darkest Peru, Hugh Bonneville
- Improvisation, a practical guide, Jason Moran
- Creating improvised theatre, tools, techniques, and theories for short form and narrative improvisation, Mark Jane
- Improv beyond rules, a practical guide to narrative improvisation, Adam Meggido ; foreword by Mischief Theatre
- An actor prepares, Constantin Stanislavski ; translated by Elizabeth Reynolds Hapgood
- Dropped names, famous men and women as I knew them, Frank Langella
- London (Cockney), an accent training resource for actors, Gwyneth Strong and Penny Dyer
- A man's got to have a hobby, long summers with my dad, William McInnes
- The Richard Burton diaries, Richard Burton ; edited by Chris Williams
- The improv handbook, the ultimate guide to improvising in comedy, theatre and beyond, by Tom Salinsky and Deborah Frances-White
- Putting the rabbit in the hat, my autobiography [Kiosk], Brian Cox ; foreword by Frank Rich
- Blackface, Ayanna Thompson
- Finding me, Viola Davis
- Impro, improvisation and the theatre, Keith Johnstone ; with an introduction Irving Wardle
- The Michael Chekhov handbook, for the actor, By Lenard Petit
- Stanislavski in practice, exercises for students, Nick O'Brien
- Performer Training Reconfigured, Post-Psychophysical Perspectives for the Twenty-First Century
- Techniques of the stage fight, swords, firearms, fisticuffs and slapstick
- The complete Stanislavsky toolkit, Bella Merlin
- Different every night, freeing the actor, Mike Alfreds
- An actor's tricks, Yoshi Oida and Lorna Marshall
- Acting exercises for non-traditional staging, Michael Chekhov reimagined, Anjalee Deshpande Hutchinson
- Stanislavsky directs, by Nikolai M. Gorchakov
- The training of noh actors and, The dove, written and illustrated by David Griffiths
- Why is that so funny?, a practical exploration of physical comedy, John Wright ; foreword by Toby Jones
- Stanislavsky in the world, the system and its transformations across continents, edited by Jonathan Pitches and Stefan Aquilina
- Creating a role, Constantin Stanislavski ; translated by Elizabeth Reynolds Hapgood ; edited by Hermine I. Popper
- The invisible actor, Yoshi Oida and Lorna Marshall
- The body speaks, Lorna Marshall
- Acting (re)considered, theories and practices, edited by Phillip B. Zarrilli
- Devising performance, a critical history, Deirdre Heddon and Jane Milling
- The actor speaks, voice and the performer, Patsy Rodenburg
- The art of stillness, the theatre practice of Tadashi Suzuki, Paul Allain
- The Lee Strasberg notes, edited by Lola Cohen
- Rethinking Roland Barthes through performance, a desire for neutral dramaturgy, edited by Harry Robert Wilson and Will Daddario
- Physical theatres, a critical reader, edited by John Keefe and Simon Murray
- Science and the Stanislavsky tradition of acting, Jonathan Pitches