Incoming Resources
- The birth of tragedy and The genealogy of morals, Friedrich Nietzsche ; translated by Francis Golffing
- Rhetoric and modification of scripture in French Biblical tragedy from de Bèze to Racine
- Corneille, Horace, R.C. Knight
- Antigone, Digital Theatre Plus
- Recapturing Sophocles' Antigone, Wm. Blake Tyrrell and Larry J. Bennett
- Racine, Phèdre, E. D. James, G. Jondorf.
- Shakespeare, Othello, Fenella and Gamini Salgado
- King Lear, Digital Theatre in association with Almeida Theatre presents ; by William Shakespeare ; directed by Michael Attenborough
- Aeschylus, the Oresteia, Simon Goldhill
- Forbidden aesthetics, ethical justice, and terror in modern western culture, Emmanouil Aretoulakis
- Monsters of the deep, social dissolution in Shakespeare's tragedies, David Margolies
- Euripidean polemic, the Trojan women and the function of tragedy, N.T. Croally
- Tragic alphabet, Shakespeare's drama of language, Lawrence Danson
- The masks of Macbeth, by Marvin Rosenberg
- The complete plays of Frances Burney, edited by Peter Sabor ; contributing editor, Geoffrey M. Sill ; associate editor, Stewart J. Cooke
- Twentieth century interpretations of Oedipus Rex, a collection of critical essays, Edited by Michael J. O'Brien
- King lear study guide, Professor Carol Chillington Rutter
- Dido and Aeneas, Digital Theatre Plus ; Royal Opera House presents ; music by Henry Purcell ; directed and choreographed by Wayne McGregor
- Shakespeare, Hamlet, Paul A. Cantor
- A song for Bridget, Phyllis Whitsell ; with Cathryn Kemp
- Shakespeare, Hamlet, Paul A. Cantor
- Ancient scripts & modern experience on the English stage, 1500-1700, by Bruce R. Smith
- Aristotle and his modern critics, the use of tragedy in the nontragic vision, Patrick Madigan
- Revenge tragedy, Aeschylus to Armageddon, John Kerrigan
- A short view of tragedy, 1693, Thomas Rymer
- Shakespearean tragedy, edited and introduced by John Drakakis
- The hidden god, a study of tragic vision in the Pensées of Pascal and the tragedies of Racine, by Lucien Goldmann ; translated from the French by Philip Thody
- Everybody's Shakespeare, reflections chiefly on the tragedies, Maynard Mack
- Oedipus at Thebes, Sophocles' tragic hero and his time, Bernard Knox
- Sophocles, a study of heroic humanism, Cedric H. Whitman
- Hamlet in purgatory, Stephen Greenblatt
- Acting tragedy in twentieth-century Greece, the case of Electra by Sophocles, Michaela Antoniou
- Forbidden aesthetics, ethical justice, and terror in modern western culture, Emmanouil Aretoulakis
- La boheme, Digital Theatre Plus ; from the Royal Opera House, Covent Garden ; music Giacomo Puccini ; libretto Giuseppe Giacosa, Luigi Illica
- Hegel on tragedy, edited, with an introd., by Anne and Henry Paolucci
- Tragic modernities, Miriam Leonard
- Witches and Jesuits, Shakespeare's "Macbeth", Garry Wills
- Shakespeare and the constant Romans, Geoffrey Miles
- Ideas and forms of tragedy from Aristotle to the Middle Ages, Henry Ansgar Kelly
- Tragedy, William G. McCollom
- Views of Clytemnestra, ancient and modern, [edited by] Sally MacEwen
- A study of Sophoclean drama, with a new preface and enlarged bibliographical note, G.M. Kirkwood
- A Routledge literary sourcebook on William Shakespeare's King Lear, by Grace Ioppolo
- Shakespeare comes to Broadmoor, the actors are come hither : the performance of tragedy in a secure psychiatric hospital, edited by Murray Cox ; foreword by Sir Ian McKellen
- After Dionysus, a theory of the tragic, William Storm
- William Shakespeare, Coriolanus, Stephen Coote
- Shakespeare's pagan world, the Roman tragedies, J. L. Simmons
- Eugene Onegin, Digital Theatre Plus ; [Peter Ilich] Tchaikovsky ; after the novel by Alexander Pushkin ; director Kasper Holten ; conductor Robin Ticciati ; Eugene Onegin: Simon Keenlyside, Tatyana: Krassmira Stoyanova
- Macbeth, Digital Theatre in association with Liverpool Everyman and Playhouse presents a Liverpool Everyman and Playhouse production ; David Morrissey, Julia Ford ; by William Shakespeare ; directed by Gemma Bodinetz
- Shakespearean tragedy and its double, the rhythms of audience response, Kent Cartwright