Music -- 18th century -- History and criticism
Label
Music -- 18th century -- History and criticism
Name
Music
Focus
Sub focus
Actions
Incoming Resources
- Subject of43
- 'To entertain the fancy', the orchestral concert song in England, 1740-1800, Stephen Charles Foster
- Eighteenth-century music in theory and practice, essays in honor of Alfred Mann, edited by Mary Ann Parker
- Music in the baroque, Wendy Heller
- Anthology for music in the eighteenth century, John Rice
- A history of baroque music, George J. Buelow
- Sound sentiment: an essay on the musical emotions, including the complete text of The Corded shell, Peter Kivy
- The world of baroque music, new perspectives, edited by George B. Stauffer
- Music and belonging between revolution and restoration, Naomi Waltham-Smith
- Dr. Burney as critic and historian of music, Kerry S. Grant
- Music and the exotic from the Renaissance to Mozart, Ralph P. Locke
- Classical music, the era of Haydn, Mozart, and Beethoven, Philip G Downs
- Music in the eighteenth century, John Rice
- Bach's cycle, Mozart's arrow, an essay on the origins of musical modernity, Karol Berger
- Baroque music, Claude V. Palisca
- Haydn and the performance of rhetoric, edited by Tom Beghin and Sander M. Goldberg
- The Cambridge history of eighteenth-century music, edited by Simon P. Keefe
- Communication in eighteenth-century music, edited by Danuta Mirka and Kofi Agawu
- Bach and the baroque, a performing view of the music of J.S. Bach based primarily on source materials of the baroque period
- Anthology for music in the Baroque, Wendy Heller
- Engaging Bach, the keyboard legacy from Marpurg to Mendelssohn, Matthew Dirst
- Haydn's sunrise, Beethoven's shadow, audiovisual culture and the emergence of musical Romanticism, Deirdre Loughridge
- Music of the Baroque, David Schulenberg
- A history of key characteristics in the eighteenth and early nineteenth centuries, by Rita Steblin
- Monteverdi, edited by Richard Wistreich
- Baroque music, from Monteverdi to Handel, Nicholas Anderson ; preface by Nikolaus Harnoncourt
- Mozart, Haydn and early Beethoven 1781-1802, Daniel Heartz
- Russlands Oper und Singspiel in der zweiten Hälfte des 18. Jahrhunderts, Dieter Lehmann
- Music in the baroque era, from Monteverdi to Bach, by Manfred F. Bukofzer
- Haydn, Mozart and Beethoven, studies in the music of the classical period - essays in honour of Alan Tyson, edited by Sieghard Brandenburg
- Baroque music, music in Western Europe, 1580-1750, John Walter Hill
- Studies in music history, presented to H. C. Robbins Landon on his seventieth birthday, edited by Otto Biba & David Wyn Jones
- Handel, Haydn, and the Viennese classical style, byJens Peter Larsen ; trandslations by Ulrich Krämer
- The century of Bach and Mozart, perspectives on historiography, composition, theory, and performance, edited by Sean Gallagher & Thomas Forrest Kelly
- Baroque music today, music as speech : ways to a new understanding of music, Nikolaus Harnoncourt ; translated by Mary O'Neill ; Reinhard G. Pauly, general editor
- Phrase rhythm in tonal music, William Rothstein
- Haydn's sunrise, Beethoven's shadow, audiovisual culture and the emergence of musical Romanticism, Deirdre Loughridge
- The Oxford handbook of the Baroque, edited by John D. Lyons
- Orientalism, masquerade and Mozart's Turkish music, Matthew Head
- Baroque music, edited by Peter Walls
- Baroque music today, music as speech : ways to a new understanding of music, Nikolaus Harnoncourt ; translated by Mary O'Neill ; Reinhard G. Pauly, general editor
- The keyboard sonatas of Domenico Scarlatti and eighteenth-century music style, W. Dean Sutcliffe
- Music in the classic period, Reinhard G. Pauly
- The era after the Baroque, music and the fine arts 1750-1900, by Robert Tallant Laudon
Outgoing Resources
- Focus1
- Sub focus2