Motion pictures
Label
Motion pictures
Name
Motion pictures
Source
lcgft
Focus
Actions
Incoming Resources
- Cinéma, Alain Badiou ; textes rassemblés et présentés par Antoine de Baecque
- What is cinema?, by André Bazin ; foreword by Jean Renoir ; new forword by Dudley Andrew ; essays selected and translated by Hugh Gray
- Theory of film practice, Noel Burch ; translated by Helen R. Lane
- Introduction to film, Robert S. Withers
- Cinephilia and history, or, The wind in the trees, [by] Christian Keathley
- Film studies, an introduction, Ed Sikov
- Cinema, the archeology of film and the memory of a century, Jean-Luc Godard & Youssef Ishaghpour ; translated by John Howe
- What is film theory?, an introduction to contemporary debates, Richard Rushton and Gary Bettinson
- Goodbye cinema, hello cinephilia, film culture in transition, Jonathan Rosenbaum
- Blackkklansman
- Film, a very short introduction, Michael Wood
- The end, narration and closure in the cinema, Richard Neupert
- The Oxford handbook of film and media studies, edited by Robert Kolker
- Watching films, new perspectives on movie-going, exhibition and reception, edited by Karina Aveyard and Albert Moran
- Supercinema, film-philosophy for the digital age, William Brown
- Film quarterly, forty years--a selection, edited by Brian Henderson and Ann Martin, with Lee Amazonas
- Expanded cinema, by Gene Youngblood ; introduction by R. Buckminster Fuller
- What is cinema?, by André Bazin ; essays selected and translated by Hugh Gray ; foreword by Jean Renoir ; new foreword by Dudley Andrew
- Fields of vision, essays in film studies, visual anthropology, and photography, edited by Leslie Devereaux and Roger Hillman
- Post-theory, reconstructing film studies, edited by David Bordwell and Noël Carroll
- Nighthawks
- 42nd Street, Warner Bros. Pictures ; Vitaphone Pictures ; directed by Lloyd Bacon ; screen play by Rian James & James Seymour
- Religion in the cinema, by Ivan Butler
- The cinema or the imaginary man, Edgar Morin ; translated by Lorraine Mortimer
- Beginning film studies, Andrew Dix
- Hollywood soundscapes, film sound style, craft and production in the classical era, Helen Hanson
- Film as art, by Rudolf Arnheim
- Fritz Lang., choice of texts and about Fritz Lang, excerpts of dialogue, critical overview, testimonials, bio, filmography, bibliography, illustrated documents, by Luc Moullet
- Red velvet seat, women's writings on the first fifty years of cinema, edited by Antonia Lant, with Ingrid Periz
- Navozande, the Musician
- Jules et Jim, découpage intégral et dialogues, François Truffaut
- The classical Hollywood cinema, film style & mode of production to 1960, David Bordwell, Janet Staiger and Kristin Thompson
- The contemporary cinema, Penelope Houston
- Béla Balázs, early film theory : visible man and the spirit of film, Béla Balázs; edited by Erica Carter ; translated by Rodney Livingstone
- Contemporary world cinema, Europe, the Middle East, East Asia and South Asia, Shohini Chaudhuri
- Transnational cinema, the film reader, edited by Elizabeth Ezra and Terry Rowden
- Theory of the film, character and growth of a new art, Béla Balázs ; [translated from the Hungarian by Edith Bone]
- Screen reader, 2
- Betrachtungen zum Filmschaffen, by Fritz Hippler ; with a foreword by Carl Froelich and Emil Jannings
- Jeune cinéma américain, by Paul and Jean-Louis Leutrat
- Film festivals, history, theory, method, practice, edited by Marijke de Valck, Brendan Kredell and Skadi Loist
- Warner Bros. presents Woodstock, a film, by Michael Wadleigh ; directed by Michael Wadleigh ; produced by Bob Maurice
- Screen culture, history & textuality, edited by John Fullerton
- Deadline at dawn, film criticism, 1980-1990, Judith Williamson
- Supercinema, film-philosophy for the digital age, William Brown
- A companion to film theory, edited by Toby Miller and Robert Stam
- What is cinema?, by André Bazin ; essays selected and translated by Hugh Gray ; foreword by Jean Renoir, [Vol. 1]
- Circles of confusion, film, photography, video : texts, 1968-1980, Hollis Frampton ; foreword by Annette Michelson
- Thinking through cinema, film as philosophy, edited by Murray Smith and Thomas E. Wartenberg
- The film experience, an introduction, Timothy Corrigan, Patricia White
Outgoing Resources
- Focus1