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Incoming Resources
- The counter-memorial impulse in twentieth-century English fiction, Sarah Henstra
- Literature, Peter Widdowson
- A companion to the literature of German Expressionism, edited by Neil H. Donahue
- Walter Benjamin, an introduction to his work and thought, Uwe Steiner ; translated by Michael Winkler
- Critical-creative writing, two sides of the same coin : a foundation reader, edited and introduced by Michelene Wandor
- Thomas Mann's Death in Venice, a novella and its critics, Ellis Shookman
- David Almond, edited by Rosemary Ross Johnston
- Three steps on the ladder of writing, Hélène Cixous ; translated by Sarah Cornell and Susan Sellers
- Short films, writing the screenplay, Patrick Nash
- Edward Said, the paradox of identity, Bill Ashcroft and Pal Ahluwalia
- Postcolonial literatures and Deleuze, colonial pasts, differential futures, edited by Lorna Burns and Birgit M. Kaiser
- Children's literature and British identity, imagining a people and a nation, Rebecca Knuth
- The key of green, passion and perception in Renaissance culture, Bruce R. Smith
- Reading Victorian poetry, Richard Cronin
- No time to spare, thinking about what matters, Ursula K. Le Guin
- America in literature and film, modernist perceptions, postmodernist representations, Ahmed Elbeshlawy
- Dirty butterfly, by Debbie Tucker Green
- Female Rebellion in Young Adult Dystopian Fiction, edited by Sara K. Day, Southern Arkansas University, USA, Miranda A. Green-Barteet, University of Western Ontario, Canada, and Amy L. Montz, University of Southern Indiana, USA
- Memory and history in George Eliot, transfiguring the past
- Romanticism and the city, edited by Larry H. Peer
- Students must write, a guide to better writing in coursework and examinations, Robert Barrass
- Trauma, postmodernism, and the aftermath of World War II, Paul Crosthwaite
- At the same time, essays and speeches, Susan Sontag. Ed. by Paolo Dilonardo and Anne Jump ; foreword by David Rieff
- The nature of beauty in art and literature, by Charles Mauron; translation and preface by Roger Fry
- The five-minute writer, exercise and inspiration in creative writing in five minutes a day, Margret Geraghty
- Shakespeare and the idea of the book, Charlotte Scott
- Democracy, law and the modernist avant-gardes, writing in the state of exception, by Sascha Bru
- Staging Beckett in Great Britain, edited by David Tucker, Trish McTighe
- Voices of the other, children's literature and the postcolonial context, [edited by] Roderick McGillis
- How to write dazzling dialogue, the fastest way to improve any manuscript, James Scott Bell
- Madness, art, and society, beyond illness, Anna Harpin
- The uses of literature, essays, Italo Calvino ; translated by Patrick Creagh
- How to write dissertations & project reports, Kathleen McMillan & Jonathan Weyers
- Sexual content in young adult literature, reading between the sheets, Bryan Gillis, Joanna Simpson
- Sound effects, the object voice in fiction, edited by Jorge Sacido-Romero, Sylvia Mieszkowski
- Whatever happened to modernism?, Gabriel Josipovici
- Chaucer, ethics, and gender, Alcuin Blamires
- The other shore, essays on writers and writing, Michael Jackson
- Struwwelpeter: Humor or Horror?, 160 Years Later, Barbara Smith Chalou
- Seven dada manifestos and lampisteries, translated by Barbara Wright, with illustrations by Francis Picabia
- Word power, a guide to creative writing, Julian Birkett
- Shakespeare's nature, from cultivation to culture, Charlotte Scott
- Contemporary British drama, David Lane
- Ecocriticism on the edge, the anthropocene as a threshold concept, Timothy Clark
- Mapping world literature, international canonization and transnational literatures, Mads Rosendahl Thomsen
- Publishing pedagogies for the doctorate and beyond, edited by Claire Aitchison, Barbara Kamler and Alison Lee
- Reading poetry, an introduction, Tom Furniss and Michael Bath
- Letting stories breathe, a socio-narratology, Arthur W. Frank
- Historicism, Paul Hamilton
- Colonial and postcolonial literature, migrant metaphors, Elleke Boehmer